Project 5.4: Writing out of the Parallel Project

Artist Statement

I am concerned about how medical technology inform our self-perception, shaping disembodied and displaced visual images. My practice and own experience in healthcare informs my exploration of painting as a physical and psychological encounter of space through a material expression. My approach is inter-medial, looking beyond conventional forms and perception of painting.

My investigation and transformation of material matter reveals aspects of vulnerability and fragmentation through stretching and pulling. I consider my works as spatial arrangements of layered materials. They cross boundaries between the physical and the digital and embrace expanded visual and auditive spaces. Through my physical interaction with materials I explore performative and transcendent aspects of materials and my body.

My practice is informed by the transgressive and embodied works of Helen Chadwick. It explores spaces between the inside and the outside, with skin as a metaphor for transformation. I rely on my direct sensual experience through my body as a medium. Created works are my visual response to that experience.

 


A list informed by my background search and continuous reflection on the core of my practice (a continuity, never finished)

  • Ideas: mental, medical imaging, MRI, experience, self, seeing and touching, sound, rhythm, life, transparent, exposure, vulnerability, fragmentation, dissociation, transcendent, surface, space, interface; paint, light, sound, moving images = crossing boundaries / embodiment
  • What is holding together: transformation through crossing boundaries, becoming vulnerable and transparent even with an opaqueness, touching fragmented matter
  • Decision for most meaningful outcome: to go with the flow of material properties
  • Media: inter-media as painting, material properties as interaction, constructed spaces of color
  • Process: painting, performative painting, a physical material and bodily process, collaborative
  • Intention: seeking new perspectives in painting through arranging and exploring materiality beyond conventional forms and creating varieties of experiential spaces.
  • Theme: exploring the world as an embodied encounter. The parallel project being informed by experiencing the intrusive gaze through medical imaging techniques

 


Development of my statement

Draft 1

Experiencing life as a patient ‘out of norm’ can be daunting, experiencing art can be daunting as well. Feeling vulnerable, exposed to a medical gaze through high-tech instruments, e.g. MRI scans, and falling into a space of uncertainty, leaves one alone to make sense of what is appearing and happening. My art embraces the vulnerability of my Self through material properties. It is an experience crossing boundaries of seeing and feeling. I am searching for possibilities through painting, light, sound, and moving images. There is the touch of painting as material and the rhythm of sound that places one in a different space of experience. How to create spaces that do not belong to the picture I can see? It makes me aware of how fragmented and transparent things might become and to feel the paint, to touch the surface, is making me more real. I need the directness of sensual experience. My work is exploring this by touching various media. My body is one medium to turn images into a picture.

(172 words)

 

 

Reflection on draft 1:

  • How important is the patient aspect?
  • How important is the medical gaze as an external factor compared with my subjective encounter with materiality and matter?
  • How does surface relate to skin?

Draft 2

I am painting through my exploration of interfaces and boundaries related to the human body as a vulnerable encounter in the world. I am searching for new perspectives of how material and space can be experienced.  By using the metaphor of the skin as a protective but also vulnerable semi-permeable material, my work explores the properties of materials. Works consist of surface and spatial structures, flat or multidimensional, questioning the difference between inside and outside.

I do consider painting as the relationship of color in space, embracing properties of light and sound to create new experiences of space and form. My practice is founded on a transgressive and transformative inter-media approach, crossing boundaries and expanding conventional forms and perception of painting. I am exploring constructed layers of perception and meaning by drawing attention to the unique properties of materials that can be stretched and folded.

My practice is personal – building on experiences of vulnerability and fragmentation. Distorted, ambiguous and fragmented parts are becoming part of a painterly experience. By transforming materials, materiality conveys its vulnerable and fragile properties. A directness of sensual experience places my body as an important medium in my practice.

(193 words)

 

 

Reflection on draft 2:

  • How is the aspect of vitality involved, baroque intensity?
  • How is the bodily, the gestural involved?
  • Is art not always personal?
  • Is medical imaging completely out?
  • Where are the other senses, eg. sound?

Draft 3

I am painting – exploring color and spaces, physical present and psychological absent spaces. My practice is founded on an inter-media approach towards materiality beyond conventional forms and perception of painting. Through constructed layers of material and meaning, spaces created do cross boundaries between the physical and the digital, between perception and meaning, between seeing, touching and hearing. My works do draw attention to the unique properties of materials, being manually or metaphorically stretched, pulled and folded.

My project relates to the psychological dimension of human life informed by my practice as art therapist and my own MRI brain scan. Exposed to external gazes, especially the medical gaze, perception of space and body shifts. Elements of vulnerability and fragmentation can be experienced as an intrusion beyond the skin – and beyond the visible. I am searching for new perspectives in how those distorted, ambiguous and fragmented spaces can be bodily experienced.

By transforming materials, materiality conveys its vulnerable and fragile properties. A directness of sensual experience places my body as an important medium in my practice – and the audience into a space of different material reality.

(184 words)

 

 

Reflection on draft 3:

  • How convincing and clear are the main connecting elements of transformation, materiality and crossing boundaries?

 


Draft 4 and final 

I am concerned about how medical technology inform our self-perception, shaping disembodied and displaced visual images. My practice and own experience in healthcare informs my exploration of painting as a physical and psychological encounter of space through a material expression. My approach is inter-medial, looking beyond conventional forms and perception of painting.

My investigation and transformation of material matter reveals aspects of vulnerability and fragmentation through stretching and pulling. I consider my works as spatial arrangements of layered materials. They cross boundaries between the physical and the digital and embrace expanded visual and auditive spaces. Through my physical interaction with materials I explore performative and transcendent aspects of materials and my body.

My practice is informed by the transgressive and embodied works of Helen Chadwick. It explores spaces between the inside and the outside, with skin as a metaphor for transformation. I rely on my direct sensual experience through my body as a medium. Created works are my visual response to that experience.

 (163 words)

 


The Elevator Pitch

unfinished – one of many

audio (0:39 min)

=> a possible development of the ‘elevator-pitch’ animated painting with voice-over statement)


Background:
Learnings from resources:

  • from Artquest:
    – To say what I see.
    – To link purpose, media, idea and process.
  • from Gilda Williams:
    – To attract interest (use of small details) and to assist in my thinking
    – Which decision produced the most meaningful outcome?
  • from both:
    – What is connecting/holding all bits together?

Reflection

  • It took some time to write my artist statement. I enjoyed having time between each draft, not only to reflect on the core of my practice but also to add or refine words and a flow in thinking.
  • It supported me in thinking clearer
  • To think about ‘wjhat is holding it together’ while looking at soma pieces helped me to reflect on what I did and what would be possible next steps. In that sense, I do see writing my statement rather as a study and research in itself. It helped me to stay more focused. 
  • I find it really helpful to phrase some kind of statement even at the beginning of a project to support the making of work. During this part, I used the reflective accounts for each assignment in a similar sense. For assignment five I am going to write it before.

 

 


Images:

  • all images are my own work, photographic reproduction of my painting, and/or digital composites of layers crossing inter-media classifications

Reference:

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2 Comments
  • Sep 22,2019 at 7:58 AM

    Stefan – such a huge pleasure to see this big lump of exiting work surfacing as one big explosion. I am really inspired by how your use the personal experience in such a constructive way. For me it is constant PET scans these days…. and I have to admit I have not (yet) found way to consistently keep working and pushing past all the uncertainty. I know I need to, and therefore I am thrilled to see this for you naturally. And for me as inspiration. I agree that ‘statement as a study and research in itself’ is a good tool. Like setting up a ‘hypothesis’ to be tested/worked on almost. I felt like that for final project in last course. hhmmm, I think I will go back to rewriting my own statement to see if that can provide me some much needed leverage today. Good luck with the tutor assessment. hope to see all of OCA Europe at the virtual study day – looking forward. / Inger

    • Stefan
      Sep 22,2019 at 3:19 PM

      Thanks, Inger – you have such kind words for my dann procrastinated last minute close down 😉 anyway, there is certainly an aspect of distance (to my MRI) and of finding a balance (to what is inside of me) and how to move along with that. I am pleased that the materiality helps – and get my hands dirty on material and to externalize all of it . Last not least, it is that supportive net as you that keeps me up doing it . At times – I just need to space me out – just to come come more focused . I wish you all the best and my thoughts with you x

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