Narrative gesture painting
While working and developing my assignment work experimenting in my sketchbook with various paper support textures, and creating a series of stencil approaches, I became aware of how a series made from ‘hands’ as gesture does strongly inform a narrative. Especially, as my work-in-progress was a time-based process evolving through pages and pages, turning pages , waiting for one page to dry, continuing etc.
My thought: What if this would be indeed a book format? An artist book, a narrative of exploring surfaces with gesture? Or as the depicted de-contextualised gesture, a reflection of my gestural making, and a mirror-image of the viewer turning pages? What reminded my of Helen Chadwick and her thinking related to her work ‘Oval Court’ as a mirror-image of the viewer (Chadwick, 2011)
Consequently, I placed the pre-marked papers in a row to paint across with striations of color (oil paint) in reference to my screening experience of projected artefacts. Last not least, this sequence reflected also my time-based hand movement from left to right while painting that series. Why not to make a time-based moving images out of it before separating the individual pages into a book, a flipping gesture?
.. with with a resulting moving image:
Video #2: Time Gesture (0:11 min)
Here, I became more aware that this moving image would benefit from a sound. Sound of turning pages, of human gestures in talking? of MRI informing my parallel project? Or more of a sound that matches the rhythm of the movement?
A book format:
- Chadwick, H. (2011) Helen Chadwick : of mutability, [Rev. rep.] ed. Edited by James, N. P. London: Cv Publications, c2011, c1989