Project 3.5 – Ex. 3.4: Parallel Project – visual mapping

Working title: 

 

// Dislocated Image – Dislocating Self //

 

Ongoing interrogations   – a chronology 

// blog category ‘Parallel Project’ at: https://ocasp.stefanvisualart.com/?cat=126 // 

// this information will be amended in a word doc – accessible at: chronology log (455 kB)

// sketchbook aka notebook pages for my parallel project – accessible at: sketchbook pdf (29 MB) (below figures are selected pages from this sketchbook)

My first visual thinking – mapping out

My interest: MRI as visual imaging technique informed by my bodily experience from a MRI scan (Bern, April 2018)

My inspiration – Museum Visits: Bruce Nauman ‘Composite Photo of Two Messes on the Studio Floor’ (1967) and Hito Steyerl ‘war games’, drones and visual simulation for remote attack

My question: Is MRI (or medical imaging technique) not a similar visual technique as satellite or drones? 

Mapping the territory:

Fig 1: Visual Mapping . areas of interest

Possible routes:

  • imaging as  mapping / seeing above and through / dislocation gaze and object // working with raw MRI images to translate them painterly

 

My second visual thinking – mapping out

My question: How does Baroque folds compare to MRI imaging technique?

Fig. 2: Exploring a Baroque’ness of MRI

Possible routes:

  • Applying the 6 traits of the Baroque to MRI and explore through painting folds and unfolds, MRI more as a metaphor than iconographic

 

My third visual thinking – mapping out

Fig. 4: a summary

Areas of difference:

  • Bodily / Senses / Auditory & Tactile / seeing with the body
  • iconographically: Aesthetics of MRI
  • indexical: medical gaze of decoding information
  • metaphorical: conditions of detecting, differentiating, constructing a visible
  • Baroque’ness : 6 traits of subverting dominance

My intermediate conclusion

My question/statement: Mapping as technique, MRI as mapping device

Collecting and mapping (classifying) ideas

Fig. 3: collection of ideas – 8 routes to move. MRI as mapping device.

Possible routes:

  • The Baroque sensibility
  1. The encapsulated brain
  2. The Sound image – a push vibration
  3. The slices abstraction
  4. ‘Still images’ as performative one hour lasting stillness, ref daguerreotype and the neck brace
  5. Performative-screen-translucent => Dissolution of boundaries
  6. ‘X-ray’ layers, a scanning sensibility 
  7. Figure / Ground discipline
  8. Resonance Music / Sound / Visuals => moving into my collaborative project with music student Vicky Downey

 

Fig 5: sketching directions

 

 

Related Posts
Project 2.1 – Ex 2.0: Collect / Make / Arrange
Project 5.1 – Ex5.1: Cut-up technique

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